The JangleBox

Indie, Noise, Shoegaze… Music

Brazilian Money: Doug nasty (2012)

Doug Nasty cover art

Doug nasty es el título del tercer álbum de una trilogía editada por este combo de Edmonton, Canadá, liderado por Garret Johnson. Una banda de esas que llamamos “de dormitorio”: es decir, Pop elaborado en casa, con pocos medios pero mucha imaginación. Vamos, lo que toda la vida se llamó Lo-Fi, adornado en los dos mil de arreglos inexistentes y sonidos sucios.
Lo cierto es que con Doug nasty (2012), Brazilian Money cierran el trío de discos (This is Not a Dream, Jive With the Killer Instinct, y Doug Nasty), dedicados, según sus propias palabras:
“The main content of this album deals with overcoming the fate of turning into a person who keeps falling short of every goal you desire because you can’t figure out how to live properly and truly do what you want and need. 
Doug Nasty is like the guy working at a music store who always wanted to be in a rockstar but got a coke habit and never really made any music that people cared about and then moved back into his parents house but still has long hair and a faint dream. BUT WE ALL GOT A LIL’ BIT O’ NASTY IN US”
Imaginación no le falta, ni variedad musical. En el disco encontramos temas que van desde la huella Lo-Fi de Ovaltime in the morning, Can´t live in a vacuum, Should´ve known, Albert´s day off; a la Loureediana de Job slob; la Powerpopera de Can´t make up your mind, o la electrónica de Your ship is sinking…
Puedes encontrar este Doug nasty (2012) pagando el precio que consideres oportuno desde su Bandcamp o comprar una de las cincuenta cassettes que ha editado Gipper Tore.

Brazilian Money – Doug money (2012)

“In this fifth release from our beloved Garrett Johnson, he proves that he has a knack for this thing, whatever it is. Doug Nasty starts off with what seems like a total U-turn, a sample of digital synth cheese that, after it melts into a tasty cup of “Ovaltine in the Morning”, gives us that reassuring jolt. We are safely in the hands of the Brazilian Money we know and love. Jangly guitars, counterintuitive chord progressions, slamming drums, quirky bass bits, and that characteristic mix of dry acoustic guitars and over-fuzzed electrics. Garrett has a real gift for writing pop hooks that hold together the most cacophonous messes without making it sound neither too messy nor too neat. Each of these little albums could last you five years on re-listens, but you never have to wait more than a few months. I love this fucking band” (arguejob.com)

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12 junio, 2012 Posted by | Brazilian Money | Deja un comentario

   

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