The JangleBox

Indie, Noise, Shoegaze… Music

More and more Singles…

JANE WEAVER: The lighting back (Fire Records, 2018)

Live Dates
16 Feb: Muffathalle, Munich, Germany*
17 Feb: Admiralspalast, Berlin, Germany*
18 Feb: Batschkapp, Frankfurt, Germany* 
19 Feb: Carre, Amsterdam, Netherlands* 
21 Feb: DK Studio 1, Copenhagen, Denmark* 
22 Feb: Munchen Brewery, Stockholm, Sweden* 
23 Feb: Sentrum Scene, Oslo, Norway* 
24 Feb: Studios, Gothenburg, Sweden*
05 Apr: New Theatre, Oxford, UK **
06 Apr: O2 Academy, Bournemouth, UK **
07 Apr: The Dome, Brighton, UK **
08 Apr: Margate Winter Gardens, Margate, UK **
10 Apr: Corn Exchange, Cambridge, UK **
11 Apr: Brangwyn Hall, Swansea, Wales **
12 Apr: Olympia, Liverpool, UK **
13 Apr: De Montfort Hall, Leicester, UK **
14 Apr: Usher Hall, Edinburgh, Scotland **
16 Apr: The Empire, Middlesbrough, UK **
17 Apr: O2 Academy, Sheffield, UK **
10 May: Focus Wales Festival, St Giles Church, Wrexham, Wales  
29 Jun – 01 Jul: Halfway Festival, Białystok, Poland 
8 Jul:  TRNSMT Festival, Glasgow Green, Glasgow, Scotland
21 Jul: Deershed Festival, Baldersby Park, North Yorkshire, UK  
26-29 July: Camp Bestival, Dorset, UK  
16-19 Aug: Green Man Festival, Brecon Beacons, Wales 

w/ Belle & Sebastian *
w / Public Service Broadcasting **

MODERN STUDIES: Mud and Flame (Fire Records, 2018)

BARK PSYCHOSISFrom What Is Said To When It’s Read (Fire Records, 2018)

CANARY ISLANDS: Glöm Baby Glöm (2018)

 

9 marzo, 2018 Posted by | Jane Weaver, Modern Studies | Deja un comentario

Swimming – MODERN STUDIES: Swell to great (Fire Records, 2017)

#TheJangleBox #NovedadesTheJangleBox #DescubreTheJangleBox

“Inspired by an antique Victorian harmonium that eventually found its way from Northern Ireland to Scotland, Modern Studies’ debut album ‘Swell To Great’, aptly named after an organ stop, was unusually written with the malfunctioning instrument at the centre of their songwriting.
A stimulating approach that melds the old and new through their instruments, delicate harmonies and rich compositions that are steeped in traditional and contemporary folk music. The restrictive process even had their wheezy founding member, the harmonium, controlling the pitch as the intrepid band members tuned their tools accordingly.
Recorded in Harvey’s studio, Pumpkinfield in the rural surroundings of Perthshire, the quartet’s songs are embedded in the sea and the landscape of the shoreline.
Emily Scott’s tender lead vocals soar over the sweeping cello, bellowing harmonium and gentle percussive crashes on ‘Black Street’, ‘Bottle Green’ and ‘Sleep’, while hidden in its depths Rob St John, whose distinctive vocals recall David Thomas Broughton, experiments with tape loops that are buried within the layers of their orchestral arrangements. St John, known for his field recordings and art-science projects, cites as his guiding inspiration Brian Eno’s experimentalism and pop sensibilities.
Unfurling bucolic stories come with Scott’s lyrics for each song, ‘Supercool’ sets the tone with an immediate sense of yearning, moving into more contemporary folk-pop on ‘Father Is A Craftsman’ and ‘Dive-bombing’ evokes images of summer frolicking on the shore. The record includes an exceptional and haunting ode to Shirley Collins’ rendition of traditional song ‘Bold Fisherman’ that featured on the Earth Recordings ‘Shirley Inspired’ compilation” (Press Note)

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31 enero, 2018 Posted by | Modern Studies | Deja un comentario

Handmade – Modern Studies: Swell to great (Fire Records, 2017)

Un estimulante (y relajante) proyecto a base de Neo-Folk y música de raíces nórdicas grabado y mezclado con el cariño de lo artesano.

“A stimulating approach that melds the old and new through their instruments, delicate harmonies and rich compositions that are steeped in traditional and contemporary folk music. The restrictive process even had their wheezy founding member, the harmonium, controlling the pitch as the intrepid band members tuned their tools accordingly.
Recorded in Harvey’s studio, Pumpkinfield in the rural surroundings of Perthshire, the quartet’s songs are embedded in the sea and the landscape of the shoreline.
Emily Scott’s tender lead vocals soar over the sweeping cello, bellowing harmonium and gentle percussive crashes on ‘Black Street’, ‘Bottle Green’ and ‘Sleep’, while hidden in its depths Rob St John, whose distinctive vocals recall David Thomas Broughton, experiments with tape loops that are buried within the layers of their orchestral arrangements. St John, known for his field recordings and art-science projects, cites as his guiding inspiration Brian Eno’s experimentalism and pop sensibilities.
Unfurling bucolic stories come with Scott’s lyrics for each song, ‘Supercool’ sets the tone with an immediate sense of yearning, moving into more contemporary folk-pop on ‘Father Is A Craftsman’ and ‘Dive-bombing’ evokes images of summer frolicking on the shore. The record includes an exceptional and haunting ode to Shirley Collins’ rendition of traditional song ‘Bold Fisherman’ that featured on the Earth Recordings ‘Shirley Inspired’ compilation” (Press Note)

Facebook / Cómpralo-Purchase

29 agosto, 2017 Posted by | Modern Studies | Deja un comentario

   

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