The JangleBox

Indie, Noise, Shoegaze… Music

My Darling YOU!: Thanks for letting me stay (Matinée Recordings, Single, 2019)

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“Debut Matinée release from excellent Swedish duo My darling YOU! ‘Thanks For Letting Me Stay’ is a song about drinking too much and regretting it the next day and it has a fantastic shambolic pop energy to it that is typical in their recordings. The single includes a bonus track called ‘Spring’ that is more shouty pop. If you think you know what all Matinée bands sound like you probably need to listen to this right now” (Matinée Recordings)

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20 julio, 2019 Posted by | My Darling YOU! | Deja un comentario

PIXIES: On graveyard hill (Single, 2019)

THE PIXIES (o el espíritu de The Pixies) continúa facturando música con mayor o menor tino, eso depende del oído de quien lo deguste. Lo cierto es que este On graveyard hill es su último sencillo, avance del que será su próximo trabajo en largo, allá por septiembre de este año.

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18 julio, 2019 Posted by | Pixies | Deja un comentario

Looping – JANE WEAVER: Loops in the secret society (Fire Records, 2019)

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“When science fiction turns science fact the effect can be truly momentous.The state demands that no-one wants an unlicensed machine-hum from an outbuilding; no-one wants clever prose mapping the future, no-one wants “music” that is attention-seeking, soul-defining, beneficial, Biblical, baroque and beautiful. No-one told Jane Weaver that.
Jane Weaver’s multi-layered synthetics evolved into a welcoming slew with 2014’s ‘The Silver Globe’, continuing through to 2017’s ‘Modern Kosmology’. ‘Loops In The Secret Society’ is a re-imagined journey through parts of both albums, with new ambient pieces primed and polished; with new tangents explored in a lab-friendly blossoming of the Weaver vision that travels yet further into the psych of our future.. A continuous experience with one-line observations set in glorious sense-stimulating sound” (Drowned In Sound)

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16 julio, 2019 Posted by | Jane Weaver | Deja un comentario

Don´t be Afraid – STEPHEN MALKMUS: Groove denied (Matador Records, 2019)

Groove Denied

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Que nadie se alarme ni se llame a engaño. No, STEPHEN MALKMUS no se ha pasado a la electrónica más allá de las cuatro pinceladas que aparecen en este nuevo trabajo en solitario de uno de los mejores talentos del Indie en las últimas tres décadas.
Steve, que es un personaje inquieto , ha recuperado temas que no entraron en el último disco publicado con los JICKS y ha añadido algunos cortes que no dejan de ser experimentos con sintetizadores y cajas de ritmo ante la ausencia de banda. Pero es en la segunda parte de este Groovie Denied donde aparece lo mejor: Come get me, Rushing the acid frat, Love the door, Bossvicerate, Ocean of revenge o Grow nothing son temas que podrían aparecer en cualquiera de sus últimos trabajos con su banda original o con la actual. Quienes han querido enterrar el talento de un músico privilegiado antes de tiempo no están de enhorabuena.

“It’s called Groove Denied because Matador insisted on releasing Sparkle Hard, an album Stephen Malkmus recorded with his mainstay supporting band the Jicks, instead of this electronic-infused record in 2018. This back story was revealed in a May 2018 Washington Post profile of Malkmus by Geoff Edgers, an article that perhaps overplayed the label’s rejection of Groove Denied. Matador maintained that its plan was to have the album appear after Sparkle Hard, which was a better record to re-introduce the ex-Pavement leader into the marketplace after a four-year hiatus. All this hoopla around Groove Denied undeniably makes for a good yarn, but it also tends to oversell the weirdness of the album. Recorded alone by Malkmus with the support of a stack of synths, drum machines, and a handful of guitars, Groove Denied doesn’t fundamentally push at the boundaries of his music. Whatever electronic influence there is here, it’s grounded in a stylized nod toward the pioneering, eerie analog experimentalism of the post-punk era — like a sound that’s remembered more than re-created. The first side of Groove Denied leans heavily into this aesthetic, cresting with the Krautrock pulse of “Viktor Borgia Prime” and culminating with the murmur of “Forget Your Place.” All this heightened tension slides away as soon as the tightly wound “Rushing the Acid Frat” opens the second side. Reminiscent of the skewed pop littered on Pavement B-sides in the mid-’90s, “Rushing the Acid Frat” kicks off a side of songs where the synths are accouterments to guitars instead of the other way around. While these five songs fail to deliver on the promised experimentalism of pre-release hype, they are nevertheless prime Malkmus — lovely, off-kilter pop graced with off-hand lyricism evident in both the lyrics and melody. If he needed to go through the stilted robotic futurism of “Belziger Faceplant” to get to this suite of songs, the whole enterprise was worth the experimentation” (AllMusic)

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14 julio, 2019 Posted by | Stephen Malkmus | Deja un comentario

VANISHING TWIN: The age of inmunology (Fire Records, 2019)

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“Their new album takes eclectic influences from artists like Sun Ra, Stereolab, and Ennio Morricone.” KEXP’s Song Of The Day

“Vanishing Twin’s new album may have lofty themes but the results impress” The Metro

“Vanishing Twin are one of the most original and exciting acts of the moment, deserving of their own spotlight for effortlessly weaving their style through multiple mediums” The Quietus

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12 julio, 2019 Posted by | Vanishing Twin | Deja un comentario

DIVING AT DAWN: The humbling of a good man (Life Entertainment, Single, 2019)

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Es una pena que el proyecto THE BOY LEAST LIKELY TO no terminara de arrancar. Su mitad creativa PETER HOBSS se ha embarcado en un nuevo proyecto que poco tiene que ver con aquél, y sí más con el Brit-Pop tardonoventero. El primer sencillo elegido es esta bonita The hunting of a good man. Andan embarcados de gira británica presentando el proyecto. 

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10 julio, 2019 Posted by | Diving at Dawn | Deja un comentario

Scotland Sun – BUBBLEGUM LEMONADE: Desesperately Seeking Sunshine (Matinée Recordings, 2019)

Desperately Seeking Sunshine CD

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El quinto álbum (ya) de BUBBLEGUM LEMONADE es una nueva declaración de intenciones desde su título: Desesperately seekin sunshine, hasta el último de los acordes de este bonito álbum. La música y el sonido de LAZ McCLUSKEY continúan inalterables en sus presupuestos iniciales: un amor incondicional al Jangle-Pop y al Pop de fantasía, colorido y estribillos pegadizos. Ese sol que se busca desesperadamente no es más que una metáfora de la búsqueda de su sonido ideal, ese que surge de su pasión por las Rickenbackers y por el Jingle-Jangle
Como no iba a ser menos, en este quinto álbum de LAZ, nos encontramos con un puñado de singles de esos por los que mataría cualquier compositor a sueldo de la gran industria norteamericana del Pop de los sesenta: Our mother´s house, She only smiles for you, Warm heart, cold feet; Just an album track, An Avenue in France, Heaven with you, You don´t like music… Como tantos y tantos otros sencillos de sus álbumes previos, son auténticas joyitas de coleccionistas para los amantes del género. ¿Eres uno de ellos?

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8 julio, 2019 Posted by | Bubblegum Lemonade | Deja un comentario

DOIS: Fenómeno (Discos de Kirlian, 2019)

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La verdad es que DOIS suenan interesantísimos. No les conocía hasta que recibí un mail de su discográfica, Discos de Kirlian, editores de algunos de los mejores trabajos de la escena Pop actual en nuestro país.
Estos gallegos suenan a PopLoFi, tienen esa sonoridad arrastrada tan norteamericana, lo mismo me evocan a Pavement como a The Feelies o al Niño Gusano por aquello del carácter surrealista de muchas de sus letras. Interesantísimos.

“Óscar Raña, José Nóvoa, Fer Areal y Guillermo Portas ensayan cerca de Portugal y en los descansos juegan con Sancho. Les gustan las melodías pop y las guitarras limpias. Su música suena a colores cálidos y luz de agosto.
Este EP es su tercer trabajo. Grabado en el Estudio Terraforma por Ibán Pérez (Fee Reega, Selvática, Chicharrón…) y mezclado y masterizado por Nathaniel Higgins y Shimby McCreery (productores de Omni), son 6 temas que incorporan a su fórmula habitual los suaves punteos de Fer y una dosis extra de coros, arreglos de percusión y teclados” (Nota de Prensa, Discos de Kirlian)

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6 julio, 2019 Posted by | Uncategorized | Deja un comentario

SEÑALADA: Luz y Delirios (Hermanos Segundos / Discos de Kirlian, 2019)

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La música de SEÑALADA me evoca una especie de mezcla entre Fernando Márquez ‘El Zurdo’, la Nova Cançó y el sonido limpio de guitarras tan ochentero que representaba, por ejemplo, Aztec Camera. Extremos muy dispares pero que al oír este tercer álbum, creo que me daréis la razón.

‘Luz y delirios’ (Discos de Kirlian/Hermanos Segundos, 2019), el tercer disco de Señalada. Una nueva maravilla de pop resplandeciente marca de la casa, producida por Carasueño, apenas unos meses después de su segundo largo; muestra del estado de gracia de un autor único y cautivador” (Nota de Prensa Discos de Kirlian)

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4 julio, 2019 Posted by | Señalada | Deja un comentario

REMINGTON SUPER 60: The highway again (Cafe Superstar Recordings, Single, 2019)

Ecos velvetianos para esta nueva producción de REMINGTON SUPER 60, una banda de laboratorio liderada por Christoffer Schou que cada cierto tiempo nos deleita con delicias como ésta: auténtico caramelo intimista.

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2 julio, 2019 Posted by | Remington Super 60 | Deja un comentario

THE CHARLATANS: Totally Eclipsing (BMG, 2018) – Different Days (BMG, 2017)

The Charlatans - Different Days

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Resultado de imagen de the charlatans totally eclipsingA estas alturas de la película, y cuando un grupo lleva ya tres décadas facturando sonidos sin que su calidad media haya bajado considerablemente durante todos estos años, es que las cosas se continúan haciendo bien. THE CHARLATANS son ya, por derecho propio, unos clásicos de nuestro tiempo. Y es precisamente éso lo que parece que no pasa por ellos, el devenir de los años ha creado en las huestes de Burgess, Blunt, Collins y Rogers un poso de madurez creativa y de brillantez a la hora de elegir y componer, un sello inconfundible que hace que en casi todos sus discos haya pequeñas obras maestras como Tottally Eclipsing, Solutions o la suprema Plastic Machinery. A disfrutarlos otra década más.

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30 junio, 2019 Posted by | The Charlatans | Deja un comentario

ESPÍRITUSANTO: Exfuturo (Jabalina, 2019)

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“ESPÍRITUSANTO tienen el don de iluminar el camino. Sus canciones, repletas de guitarras, melodía y armonías vocales, producen la energía y la luz necesaria para abrirse paso a través de los paisajes brumosos por los que transitan la mayoría de las veces. Y eso no lo consigue cualquiera sin desviarse del rumbo al “Exfuturo”, el destino al que quieren llegar con la brújula de un álbum que señala siempre en dirección POP, en sus confines más allá del shoegaze y el dreampop.
“Exfuturo” es el segundo álbum (primero para Jabalina) de ESPÍRITUSANTO. Un disco elaborado a fuego lento, producido por Alejandro Martínez (Alexanderplatz, Klaus&Kinski), que repite después de la fructífera experiencia en “Caza mayor” EP (Jabalina 2017), con el que el sexteto madrileño dan un paso adelante en su carrera siendo fieles a las señas de identidad que les han distinguido desde sus comienzos, pero profundizando con una cuidada producción en las diversas facetas que caracterizan su variado repertorio.
“Exfuturo” lo integran nueve canciones que de algún modo representa la banda sonora del lugar espacio-temporal al que ESPÍRITUSANTO quieren que lleguemos. Para ello no escatiman esfuerzos, ofreciendo un sinfín de detalles y pistas en unos textos que en ellos siempre tienen una importancia determinante” (Notas Bandcamp)

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29 junio, 2019 Posted by | Espíritusanto | Deja un comentario

KYTHIRA: Cut through (Healthy Tapes, 2019)

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“Sydney/Copenhagen/NY-based artist Kythira releases her debut album Cut Through – a jangly collection of heartwarmingly honest bedroom pop.
Kythira is the project of nomadic musician Alyssa Gengos, named after the Greek island of the same name (Κύθηρα). The two singles, Change My Mind and My Name are a perfect representation of the record – addictive guitar pop that’s straight to the point with little more than a drum machine and cheap casiotone to accompany Alyssa’s incredibly catchy vocal hooks.
Self-produced on her laptop while moving around between Sydney, LA and Copenhagen, Cut Through follows up her synth-driven EP Soon, I Promise released back in January 2018. The tape is a stunning bedroom pop release, sure to appeal to fans of Fazerdaze or Best Coast” (Bandcamp Notes)

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27 junio, 2019 Posted by | Kythira | Deja un comentario

Unloadings – CAGE THE ELEPHANT: Social Clues (RCA, 2019)

Social Cues

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Pues sí, CAGE THE ELEPHANT se apuntan a la dichosa manía de muchos grupos de aliviar su sonido de descargas emocionales y eléctricas a medida que avanzan en su producción musical. El que antaño ocupaban las distorsiones y las descargas eléctricas, en Social Clues lo hacen las cajas de ritmo y las melodías demasiado deudoras de esa facción ñoña de los ochenta (Love´s the only way) que desde luego, poco tiene que ofrecernos. ¿Por qué tanta cantidad de grupos llegado cierto punto tienen que hacer un estribillo que diga “Everybody´s dance dance…?”). Ni tan siquiera haciéndose acompañar de gentes como Beck (Night running) la cosa mejora, y el tono general del disco no deja de pasar de una cierta mediocridad de aprobado raspado, donde tan salvamos cortes como las oscuras House of glass o Tokyo smoke

“Considering how Cage the Elephant brought home the Best Rock Album Grammy for Tell Me I’m Pretty in 2017, it’s a bit startling that its successor, Social Cues, abandons the rough-and-tumble aesthetic producer Dan Auerbach brought to the band. Auerbach helped Cage the Elephantemphasize the bash-around garage elements lurking within their music, a sensibility that is absent onSocial Cues. CTE work with producer John Hill, who previously helmed albums by Florence + the Machine, for this 2019 album, but a better touchstone for what they’re attempting to achieve is Beck, who appears on the single “Night Running” and joined the group on a co-headlining tour in support of the album. Particularly on Colors, the 2017 LP that snagged him a Grammy for Best Alternative Album,Beck specialized in a bright, vivid pan-cultural pop, echoes of which can be heard on Social Cues.Cage the Elephant also paints Social Cues with bold hues swiped from a primary palette, but they aren’t especially interested in the here and now. While there may be some hints of modern flair on the margins — they exhibit a particular fondness for drum machines — Social Cues beats to a neon-lit pulse appropriated from the glory days of MTV. Such a bright glare evokes the ’80s, but like all Cage the Elephant albums, Social Cues is a canny blend of familiar elements whose origin lies just out of reach. By making such a decisive shift in direction, CTE wind up dampening the squalls of White Stripes, Strokes, and Pixies that defined their first decade of records, but that change also emphasizes how the group are at heart pop-pastiche artists, favoring style and sound over a finely honed song” (All Music)

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25 junio, 2019 Posted by | Cage The Elephant | Deja un comentario

Ending on a Hi Note – DRUGDEALER: Raw Honey (Mexican Summer, 2019)

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El segundo trabajo de DRUGDEALER tiene algo que ver en su concepto con el de Hollow Hand que comentamos el lunes, si bien Raw Honey (Mexican Summer, 2019) es un disco algo fallido, demasiado deudor con un determinado tipo de sonido. Sus constantes guiños y homenajes al Pop de los setenta, y lo que es peor, a cierta tendencia demasiado sosa del Pop de los setenta, hacen de este disco un trabajo no demasiado a tener en cuenta, con algunos momentos brillantes (Fools, LonelyLondon nightmare o las cinemáticas You´ve got to be kidding o Ending on a hi note), pero con otros que verdaderamente lastran el conjunto. 

“The first Drugdealer album, The End of Comedy, was a bit of a stylistic shift for the band’s main instigator, Michael Collins, that saw him moving away from trippy and weird psych towards something far more relaxed and Laurel Canyon-y. There were a few kinks to be ironed out, like meandering songs and a few too many cooks, but it was a promising and enjoyable record. The second Drugdealeralbum, Raw Honey, has zero kinks left to work out and fulfills all the promise of the debut and more. This time around, Collins and a wide range of collaborators absolutely nail the lush and lovely singer/songwriter sound of the mid-’70s, while adding some healthy bits of warm weirdness and subtle grandeur to the mix along the way. The album is a cool mix of shaggy-dog pastiche and real feeling moments of emotion, all wrapped up in an organic sound that’s as familiar as a favorite old blanket. The songs that dig a little deeper into emotional territory — like “Honey,” which is sung with perfect tenderness by Natalie Mering (aka Weyes Blood), or “Lost in My Dream,” which combines emotional weight with a liltingly sweet melody and very lush arrangements — are the songs that linger the longest. And the late-night soft rock ballads like the very Steely Dan-ish “Fools” are the ones that go down the smoothest, but the fun songs stick around, too. The Harley Hill-Richmond-sung “Lonely” is a peppy little pop trifle that Harry Nilsson would have been happy to call his, “Wild Motion” features the languorous vocal stylings of Douglas Poole and answers the question of what 10cc would have sounded like if Roy Orbison had joined the band, and “London Nightmare” strums and hums along in happily rambling fashion. Michael Collins oversees all the players like a chilled-out Brian Wilson, the band fits together like blocks of hashish, and if the listener isn’t completely relaxed by the time the record is over, they should likely seek medical attention” (AllMusic)

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Tour Dates

12 April – Los Angeles, CA – Teragram Ballroom (Release Show)
19 April – Brooklyn, NY – Market Hotel (Release Show)
12 May – Manchester, United Kingdom – YES
15 May – London, United Kingdom – The Dome Tufnell Park
16 May – Paris, France – Point Ephemere
17 May – Cologne, Germany – Gewölbe GmbH
19 May – Copenhagen, Denmark – Vega (Small Hall)
20 May – Hamburg, Germany – Aalhaus
21 May – Berlin, Germany – Berghain Kantine
23 May – Brussels, Belgium – Witloof Bar
25 May – Amsterdam, Netherlands – De Nieuwe Anita
10 July – Santa Fe, NM – Meow Wolf
12 July – Austin, TX – Barracuda Inside
13 July – Houston, TX – Satellite Bar
14 July – New Orleans, LA – Gasa Gasa
15 July – Atlanta, GA – The Earl
16 July – Washington DC – Union Stage
17 July – Philadelphia, PA – Johnny Brenda’s
21 July – Pittsburgh, PA –Club Café
22 July –Detroit, MI – El Club
23 July – Chicago, IL – Sleeping Village
24 July – Minneapolis, MN –7th Street Entry
27 July – Calgary, AB – Palomino Social Club
29 July – Seattle, WA – Sunset Tavern
30 July – Vancouver, BC – The Fox Cabaret
31 July – Portland, OR – Mississippi Studios
2 August – San Francisco, CA – The Independent
4 August – Pioneertown, CA – Pappy and Harriets

23 junio, 2019 Posted by | Drugdealer | Deja un comentario

COURTNEY BARNETT: Everybody here hates you / Small talk (Record Store Day Release, 2019)

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El último sencillo de COURTNEY BARNETT lo publicó para el Record Store Day, se trata de este crudo Everybody here hates you / Small talk. Una de tintes más rockistas y otra más cercana al estilo loureediano. Algo más que curiosidades.

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21 junio, 2019 Posted by | Courtney Barnett | Deja un comentario

AZURE BLUE: Images of You (Matinée Recordings, Hibrys, 2019)

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“Azure Blue, one of Sweden’s most internationally acclaimed indie artists, is back with a stunning fifth album ‘Images of You’ and it is absolutely clear that somebody has fallen in love. Consistent with the approach on the celebrated debut album ‘Rule of Thirds’ in 2011, Tobias Isaksson set his main focus on the songwriting with tracks written on guitar and carefully transformed into warm analog synth soundscapes. Using his film director girlfriend as a muse, the results are heartfelt and romantic pop classics. 
Cinematic opener ‘Hökarängen’ is the sound of the night bus home from the studio marking the end of an era roaming aimlessly alone, while ‘Entropy’ is a three-minute rush of synthpop perfection that signals the thrilling excitement of newfound love. ‘Event Horizon’—one of several featured singles on the album—is a dark but hopeful story about love in the time of climate change that showcases captivating melodies, a soaring chorus, and a certain Spanish flair.
‘Millions of Stars’ is another enchanting single featuring analog synth arpeggios and one of the biggest crescendos we’ve heard from nearly a decade of productions, while ‘Images of You’ is two minutes of haunting old school synthpop with ethereal female backing vocals and ‘Running with the Eventide’ slows down the pace with an especially honest love song. 
‘Yesterday’s Gone’ is another single contender with a sensational singalong chorus, enticing percussion, and absolutely superb melodies, while ‘Wild for the Night’ is a keyboard-driven manic pop thrill and lead single ‘Shine On’ is a dreamy synthpop hit with shimmering reverb that brightens up the song like the northern lights.
‘Sea of Love’ is an earnest love song that further demonstrates Isaksson’s romantic side, while album closer ‘The Rose’—a beautiful, naked ballad written and recorded in one day—is the most sincere Azure Blue track to date. 
Echoing timeless pop melodies—as if Depeche Mode, New Order, and OMD grew up in Sweden instead of England—and featuring contributions from contemporary Swedish artists The Land Below and Paola, ‘Images Of You’ is consummate electronic indie and Azure Blue’s finest moment to date” (Matinée Press Release)

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19 junio, 2019 Posted by | Azure Blue | Deja un comentario

Days of Glory – HOLLOW HAND: Star Chamber (Talkshow Records, 2018)

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STAR CHAMBER no es, ni más ni menos, que la nueva forma de entender el Folk-Rock. Un gozoso deleite que nos lleva por lo mejor del Folk, el Pop Barroco, el Beach-Pop… Una obra absolutamente magna, un trabajo que respira influencias clásicas pero convenientemente puestas al día de la mejor manera posible; una especie de mezcla entre The Kinks, Donovan, Beach Boys y The Shins para hablar de la cotidianeidad de las cosas, de la fragilidad o de la esperanza. Inmejorable.

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17 junio, 2019 Posted by | Hollow Hand | Deja un comentario

ISLET: Clouds (Single, Fire Records, 2019)

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“Clouds was born in a heavy pregnant daydream and was finished in a full pelt headlong headrush. It’s a song about how I learnt patience.” Emma Daman Thomas

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5 junio, 2019 Posted by | Islet | Deja un comentario

Dream Lake: Someday (Advanced Single, Imperiet, 2019)

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“Dream Lake is a Swedish pop duo from Stockholm, formed by singer Isabella Svärdstam and the musician and producer Niklas Lock. Together they create soft and silky dream pop.
The debut album “Lux” was released in November 2017 and got great reviews both in Sweden and abroad with quotes as “A deep breath and then everything is good. That unbeatable feeling. Calm. Wellbeing. This is not my attempt to write a self-help book – it is the image that Swedish Dream Lakes debut album Lux mediates”, by GAFFA Sweden.
The single “Midnight Sun” from the debut album ended up in rotation on BBC Radio with Phil Taggart who loved the song.
After the debut album, the pop duo felt that they wanted to change the direction slightly in the music and then began collaborating with the producer Mikael Landén, who shares their mindset about the music and is a true retro fan with lively imagination.
“Together we have created a nostalgic vintage dream as seen through a polaroid camera lens”, says Dream Lake.
Now, the single “Someday” is released by Imperiet Recordings. The song is about a search for a peace of mind and the desire to meet the person who makes one choose happiness as a frame of mind.
“This time we want to go more straight to the message, mix hard with soft. Taking part of each other’s differences and creating honest music”, says the pop duo” (Press Note)

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4 junio, 2019 Posted by | Dream Lake | Deja un comentario

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