The JangleBox

Indie, Noise, Shoegaze… Music

ARTEfactos – ULRIKA SPACEK: Modern English Decoration (Tough Love Records, 2017)

Partiendo de presupuestos sencillos, estos alemanes afincados en Londres van por su segundo artefacto sonoro: Modern English Decoration es un álbum de Fuzz-Shoegaze imbuido por lo mejor de la Neo-Psicodelia y otras hierbas como el Kraut. Altamente recomendable…

“Given the lyrics often favour abstraction and the vocals can be more impressionistic than declarative, the album title itself offers perhaps the most telling entry point to the record. In part, it’s a self-effacing play on an interior design cliché that references the meticulous creative processes the band adheres to. There’s also a nod towards the environment in which it was created – a Victorian house turned art gallery turned home studio. “This record was made in various rooms in our house, predominantly in the living room. Every part of the album reflects this, from the title to the setting of the lyrics. Doing everything ourselves is not just necessary: it’s important to us, as it allows us to truly create our own world”. While there’s an element of domesticity to the album’s creation, the themes that drive the songs are anything but, reflecting an all-too-common sense of mid-twenties alienation and anxiety, alongside the comforts/burdens of self-awareness.
Unsurprisingly given the context of its creation, Modern English Decoration might be considered a companion piece of sorts to The Album Paranoia. But there are crucial differences. Most notably, this isn’t the work of the Ulrika Spacek conceptualised by Edwards and Williams in Berlin – Modern English Decoration is the band as five rather than two people, and it shows. Those who have witnessed the intensity of their live show will instantly recognise the merits in this. The bass and drums provide a versatile anchor, at once soft, then aggressive, while the vocals drift woozily in and out, like druggy hindsight or skewed premonition. With three guitarists in the band guitars were always going to be central to the music, but what is less expected is the dynamic interplay between the trio that suggests a three-headed version of the Verlaine-Lloyd axis at the heart of Television. What’s more, the absence of reverb is integral, in part attributable to the ambience of the studio, but also a conscious decision in order to add focus. And focus is the abiding term: this is an album designed to be just so – a 45 minute commitment, a surrender”

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11 agosto, 2017 - Posted by | Ulrika Spacek

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