The JangleBox

Indie, Noise, Shoegaze… Music

Beauty – REAL ESTATE: In mind (Domino, 2017)

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Hablar de Real Estate y no recaer en los elogios me resulta a veces casi sonrojante, mayormente debido al hecho de que su música, pese a algún cambio sustancial de formación, se ha mantenido absolutamente fiel a unos presupuestos estéticos y sonoros perfectamente coherentes. El Jangle-Pop de inspiración sesenta-ochentera goza de una salud envidiable gracias a la banda de Martin Courtney. Oyendo temazos como Stained glass (no soy de juicios absolutos, pero probablemente candidato a single del año), Darling, Saturday, Two arrows, White light, Diamond eyes, Same sun… hay bien poco que decir. Si acaso babear y envidiar cómo construir canciones tan preciosas y tan perfectas con unos patrones aparentemente tan sencillos.
Real Estate es una gran banda. Un grupo que se ha sabido alejar de cualquier amaneramiento, pose o estética del momento. Un grupazo para disfrutar por siempre de sus canciones.

“Probably the biggest news item surrounding 2017’s In Mind, the fourth LP from sauntering daydreamers Real Estate, was the exit of founding member and lead guitarist Matt Mondanile, who left to focus on his solo project, Ducktails. Another Ridgewood, New Jersey native, Julian Lynch, stepped in, himself a veteran collaborator of member projects including Real Estate, Ducktails, andAlex Bleeker & the Freaks. It’s hard to imagine a smoother transition on the beachside sunset of an album that is In Mind. The group sets the stage with the elegant, serpentine jangle of opener “Darling.” With a mix that allows ears to pick out unobtrusive synths and individual guitar tones, separately as well as together, it has a hypnotic quality that’s active rather than passive. That quality is only reinforced by mixed meters that throw off the feel, just a little, before falling back in line for those tapping out 4/4 time — like riding out a wave. Meanwhile, Martin Courtney‘s vocal line, always calm and cottony in character, is only one of many overlaid melodies, including the bassline, as he sings of finches and ferns waiting “for the warm sun to return, impatiently, as I wait for you.” Listeners are the ones on the receiving end of those evasive rays by virtue of the vocal delivery, guitar tones, imagery, extended chords, and languid melodies, ever simpatico. Those traits hold throughout the album, maintaining a sunny humidity without getting sleepy. They avoid any prolonged drifting with a base of subtly catchy tunes that offer regular moments of discovery. Production touches, like robotic effects on double-tracked vocals — but only for a few passing phrases –- and the judicious use of drum samples on “Time,” add flavor without snapping us out of good vibrations. Later, textures like wah effects (“Serve the Song”), hazy distortion (“Two Arrows”), spacy timbres (“Holding Pattern”), and the harpsichord-like riffs that color the uptempo jangle of “Stained Glass” add muscle and glimmer to the grain. Along with producer Cole M.G.N. (Beck, Julia Holter), Real Estate seems to both fine-tune and expand an already identifiable sound on In Mind, with engaging and often beautiful results. “A strong current will sweep you downstream/It would be best not to resist” (All Music)

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20 junio, 2017 - Posted by | Real Estate

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