The JangleBox

Indie, Noise, Shoegaze… Music

Greetings from Pepperland – The Junipers: Red Bouquet Fair (2016)

The Junipers son uno de esos extraños casos de bandas que no cuentan con el respaldo popular o el reconocimiento mayoritario de crítica y público, aunque su calidad musical es absolutamente irrefutable y sus composiciones son absolutamente sobresalientes.
The Junipers imageRed Bouquet Fair (2016) es su tercer disco. Una obra absolutamente intemporal de Pop de alto quilataje: Baroque Pop con las dosis adecuadas de lisergia y Psicodelia. Unos arreglos absolutamente sutiles y una producción sencillamente prodigiosa. Que no os deje llevar el aspecto aparentemente retro de su música. Olivia Tremor Control hicieron algo parecido en los noventa y fueron unos grandes tótems de la escena independiente. The Junipers, aunque sean de Leicester, se merecen algo más que una Premier League…

“The Junipers, for those who haven’t been paying attention, are one of this decade’s most important, unheralded guitar pop bands. Their previous album “Paint the Ground” is one of my favourites of the last few years. I’d previously thought of it as one of those rare, perfect pop records, but it can’t quite have been as this new album is even better. While “Paint the Ground” had a lovely pastoral tinge, “Red Bouquet Fair” is much more of a classic pop album, with songs that reach back to the sixties for inspiration without sounding tied to that decade or overly reverential. It’s obvious that these guys have fantastic record collections, but in no way do these songs sound like an attempt to replicate the music from those collections.
There are strong hooks on every single one of these songs, and these lads sure do know their way around a harmony; check out the lush vocal layering on “Summer Queen”. Absolutely stunning. Elsewhere, they use period embellishments sparingly for maximum effect. Particularly effective is the 12 string guitar solo on “Like a Merry Go Round”, while the sitar led “Her Come The Winds” is a marvelous psych-pop gem. And don’t get me started on the amazing kaleidoscopic psychedelia of “Burning Pages”.
And while classic harmony and psych-pop are the most obvious touchstones here, other influences rear their heads; “When the Bird Has Flown” is a lovely, moody choral harmony piece ala Midlake or the Fleet Foxes, while “Dig Me Up” brings to mind some of the brit-pop sounds of the mid nineties which have aged more gracefully than others.
Apart from the extremely solid songcraft, and those luscious harmonies, the main secret to “Red Bouquet Fair”s success is in the arrangements and production. It’s all beautifully layered, with imaginative touches that create a distinctive sound for the band, while preventing any of the songs sounding samey. Or to put it in a simpler fashion, it’s obvious that these songs are all the work of the same band, but each is a fresh creation which distinguishes itself from its predecessors.
It’s the sort of album which should make you a little bit angry at the injustices of the world. Paradoxically, I’d also imagine that it’s pretty much impossible to remain angry while listening to “Red Bouquet Fair”.  This should by all rights be a major label release with constant airplay and household name status for the band, and had the Junipers been around to release this 50, 40 or even 20 years ago, that may well have been the case, but we don’t currently live in a world where what the Junipers have to offer is in vogue with the masses. For us lucky few though, it’s a comforting, magical experience. Absolutely wonderful” (The Active Listener)

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2 diciembre, 2016 - Posted by | The Junipers

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