The JangleBox

Indie, Noise, Shoegaze… Music

Groom: Brothers and Sisters (Popical Island, 2013)

Groom: Brothers and Sisters EPGroom son una banda de Dublin que además son responsables del sello independiente Popical Island, encargado de publicar su material en formatos como las cassettes de colores.
Acaban de editar Brothers and Sisters, un Ep en el que los irlandeses sacan a la luz su repertorio de Pop feliz y alambicado, con numerosos detalles tanto del sonido más clásico (Brothers and sisters), como del Pop más barroco y sesentero (Wet thursday). Fishing 1983 y Love death and bandaged heads son dos cortes más inclinados al lado LoFi del asunto.
Mike nos ha cedido gentilmente uno de los temas para compartirlo con todos vosotros. Por si os quedáis con ganas, os dejo también un enlace directo para poder disfrutar de su último disco hasta la fecha: Marriage, del año 2010.


As co-founders of the Popical Island collective,Dublin band Groom and its moonlighting members have been responsible for creating, and disseminating, some of the finer sounds to grace our ears over the last few years. The band has been quiet since 2010’s relationship-ruminating ‘Marriage’, with side projects a-plenty filling the interim up until this new four-track EP. ‘Brothers & Sisters’ sees all four players take a direct hands-on approach, with each track produced by a different band member.
Thematically, the EP seems a natural progression from ‘Marriage’, while having a more aesthetic kinship with the lower-fi Lie Ins – one of those side-projects we mentioned –  whose members make up one half of Groom. Themes of family and memory, of mundanity and mortality, fill both sides of this offering of affecting, exuberant power pop.
Brothers and Sisters opens, sauntering along at a stately pace with a high register, almost-fragile vocal and heartstring-tugging chord changes. ”Bare knees and ash trees” and “…sandwiches and annuals” hark to childhood memories, in a song bookended by loss. Midway through the low-register solo, an understated snare roll provides a launchpad from which the guitar pulls away and spirals gently skyward. We leave then, on an eloquent image – “…and they fold up her clothing” – a heartbreaker, just to ease us in.
Frenetic guitars etching out a trebly, angular riff and a rough’n’tumble syncopated drum pattern characterise Fishing, 1984. Mixed on cassette 4-track, it may be the EP’s least sophisticated means of capture, yet it’s the warmest sounding for it. Wet Thursday’s relentlessly joyous melody and infectious, ever-ascending verse vocal mark it out for greatness. Four deadened cymbal taps herald a sudden clarity in the sound as Stevens sings “If death is the answer/Then hand me the cancer/ At least I’ll look good/ In my cheap box of wood” before a playful carousel of a breakdown slows the tempo briefly. Only briefly mind.
Love, Death and Bandaged Heads is the EP’s sign-off, with a psychedelic intro and yet another memorable melody camouflaging the barbs – “I know we’re gone gone gone/ I know I’m no Maud Gonne/ But get real neither is she/ And that’s not poetry” Groom make this all seem easy. ‘Brothers and Sisters’ is a collection of simple yet beguiling, playful yet dark songs; theirs is a kind of grim reality whose edge is tempered by disarming honesty, tongue-in-cheek humour, and the overarching feeling that everything is going to be alright” (GoldenPlec)

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21 julio, 2013 Posted by | Groom | Deja un comentario

Preludes: Kalypso (Single, Autoeditado, 2013)

Kalypso [Single] cover art

El romanticismo taciturno envuelto en clasicismo puesto al día es de nuevo el protagonista en este sencillo de Matthew Gasda (aka. Preludes). La sensibilidad de un músico que en esta ocasión apuesta por unos ambientes algo más oscuros y una instrumentación algo más tenue.

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21 julio, 2013 Posted by | Preludes | Deja un comentario

Gravitysays_i: Cry-out (Single, 2013)


21 julio, 2013 Posted by | Gravitysays_i | Deja un comentario

Mechanimal: Mechanimal (Inner Ear Records, 2013)

Día hoy para sonidos electrónicos, clásicos o, como algunos los llaman, avanzados (¿?).

Mechanimal cover art

Mechanimal resemble a living organism that maintains faith in the power of an electrically amplified sound, embracing techno form, poetry and spoken word, and, like a parasite from a sonic microcosm, traps you in a surreal, magical and occult landscape. The founding member of this new musical project, Giannis Papaioannou, is a music producer with a long track record in the Greek indie scene (Rehearsed Dreams, Raw, Elfish Records, Ion). Along with vocalist and photographer Freddie F., who has captured some of the most interesting portraits of our time in Athens and New York and guitarist Tassos Nikogiannis, founding member of indie darlings Make Believe, they arrange the pulse of a musical ensemble that beats inside the mechanical body of this creature of sound. 

The 10 tracks that make up the debut album of Mechanimal are inspired by the urban landscape of modern Athens and the situations affecting it the last few years. From the first low whispering frequencies of “Funny”, to the angry dissected image of “Low Land”, which closes the album, the sound of “Mechanimal” expresses the disintegration of an era as well as a revolutionary effort to reconnect with the fundamentals of music itself. Through theatrical vocals, muffled basslines, monophonic synthesizers, vintage rhythm boxes and derailed guitar distortion, this sound creature named Mechanimal is driven by a spontaneous instinct that manages to harness momentum and strength in a riveting way” (Bandcamp)

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21 julio, 2013 Posted by | Mechanimal | Deja un comentario


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